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REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
OBITUARY
Youssef Chahine Remembered
By
Sheila Whitaker
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
INTERVIEW
Let a Thousand Flowers Bloom
By
Holly Aylett
ARTICLE
Reading the Darkness
By
James Rose
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
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