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ARTICLE
The Demonstration: Editing Unrest in Grosvenor Square
By
Dai Vaughan
INTERVIEW
An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema
By
Jason Wood
INTERVIEW
The History that Keeps Coming Back
By
Antoine de Baecque
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
ARTICLE
Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era
By
Julia Knight
ARTICLE
S.T.A.L.K.E.R. or Stalker
By
Daniel Stuyck
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
ARTICLE
The Vanishing Map
By
Stephen Barber
ESSAY
On Being Paulette
By
Dai Vaughan
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
INTERVIEW
A Story of Experimental Film
By
Louis Benassi
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
FILM PROGRAMME
15 - 30 April 2016: Close-Up on Masters of Polish Cinema
FILM PROGRAMME
12 June 2016: The Cinemascope Trilogy
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