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REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
INTERVIEW
Let a Thousand Flowers Bloom
By
Holly Aylett
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
ARTICLE
On Civil Defence and the Staging of Modern Politics
By
Patrick Wright
SCRIPT
Distress Signals: Text for a Short Film
By
James Riley
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Light Illusions Artists and Cinema; Filmmakers and Galleries
By
Felicity Sparrow
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