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ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
OBITUARY
A Movie and Much, Much More: Iconic Artist Bruce Conner Remembered
By
Jon Davies
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
OBITUARY
Youssef Chahine Remembered
By
Sheila Whitaker
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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