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ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
INTERVIEW
Lodge Kerrigan
By
Jason Wood
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
ARTICLE
The Slade School and Cinema: Part Two
By
Henry K. Miller
ARTICLE
A Winter’s Tale
By
Graeme Hobbs
ARTICLE
Screen Academy Scotland
By
Pepe Petos
|
Lili Sandelin
|
Hermann Karlsson
|
Mattias Karlsson
|
Damian Wood
|
Paul Gray
|
Lin Anderson
|
Catriona Craig
|
Kelly Neal
|
Astrid Bussink
|
Joseph N Feltus
|
Neil Gillies
ARTICLE
Roots and Shoots
By
Jerry White
ARTICLE
1968: And it All Started in Vietnam
By
Philip Jones Griffiths
ARTICLE
Film sans Frontières
By
Metin Alsanjak
EDITORIAL
A Double Bind
By
Damien Sanville
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
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