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ARTICLE
The Man from London
By
John Bradburn
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
OBITUARY
Fragments for H: A Personal Tribute to Hrvoje Horvatic
By
Chris Darke
ARTICLE
Iranian Impromptu
By
Jack McNamara
EDITORIAL
Volume 1 - Issue 9 - For Marc... For Memory…?
By
James Leahy
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
INTERVIEW
Darkness Visible
By
Jon Davies
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
EDITORIAL
Volume 2 - Issue 1 - Vertigo’s Back
By
Vertigo
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
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