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ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
REVIEW
Magnum Cinema
By
James Leahy
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
The Children of Godard and 90s TV
By
James Leahy
|
Jamie Payne
|
David Styan
|
Karen Alexander
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
OBITUARY
Tributes: Marguerite Duras
By
Jill Forbes
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
The Sound of Godard
By
Michael Chanan
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
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