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ARTICLE
Londres, Bombay: Stations on the Journey
By
Patrick Keiller
REVIEW
Underground, Overground: OMSK and tank: Stories of our Times
By
Philip Ilson
REVIEW
Genteel, Accessible, Revolutionary
By
Roger Luckhurst
DOCUMENT
High Hopes
By
Jon Sanders
MANIFESTO
The Belgrade Manifesto 2007
By
Jon Sanders
|
Nora Hoppe
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ARTICLE
King Lear
By
James Norton
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
INTERVIEW
As I See You You See Me
By
Julian Ross
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