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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
The Hours Is Not a Film
By
John Bradburn
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
A Very Public Situationist
By
Lee Hill
ARTICLE
Image Picture Frame
By
Jon Jost
|
Patrick Keiller
|
Sam Lamche McMullen
|
John Maybury
|
Amie Siegel
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
INTERVIEW
New Kids on the Block
By
Alexis Karlin
INTERVIEW
The Eyes Have It
By
SF Said
ARTICLE
Alphaville Exists
By
Chris Darke
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
The Feeling of a Story
By
Mathieu Copeland
ARTICLE
Skin Deep
By
Lee Hill
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