Archives

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

MANIFESTO

Kino Korrespondence

By Ken McMullen

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

By Dai Vaughan

REVIEW

Do Fish Have Dreams?

By Almendra Maria Mcbride Perez

Au Contraire: Jean-Luc Godard

ARTICLE

Save our Cinema

By Robert Rusk

INTERVIEW

Hard Currencies

By Robert Chilcott

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

INTERVIEW

Love Is the Devil

By John Maybury and Ben Gibson

ARTICLE

1968: And it All Started in Vietnam

By Philip Jones Griffiths

ARTICLE

The Man from London

By John Bradburn

Related Items

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

MANIFESTO

Kino Korrespondence

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

REVIEW

Do Fish Have Dreams?

Au Contraire: Jean-Luc Godard

ARTICLE

Save our Cinema

INTERVIEW

Hard Currencies

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

INTERVIEW

Love Is the Devil

ARTICLE

1968: And it All Started in Vietnam

ARTICLE

The Man from London

Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

QUESTION AND ANSWER

Five Broken Cameras

QUESTION AND ANSWER

Remake