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ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ARTICLE
The BBC Question
By
Michael Chanan
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
EDITORIAL
Volume 1 - Issue 6 - Editorial
ARTICLE
The Critic as Censor
By
Julian Petley
ARTICLE
Gallivant I
By
Kimberley Cooper
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
A New Way Must Be Seen
By
Sukhdev Sandhu
ARTICLE
Free Cinema Edgware Road
By
James Norton
ARTICLE
On the Po
By
Rosy Rockets
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
If You Wish to See, Listen: The School of Sound
By
Larry Sider
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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