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Open City Documentary Festival
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Adequate Imagery
By
Paul Cronin
ARTICLE
Things that Quicken the Heart
By
Catherine Lupton
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
ARTICLE
Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material
By
Rosy Rockets
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
Histoire(s) du Cinéma
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