Archives

By Marc Karlin, James Leahy, Julian Petley

ARTICLE

Raining Stones II: A View from Paris

By Philippe Pilard

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

ARTICLE

There Are no Lions in the Scottish Highlands

By John Riley

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

By Claire Kitson

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

By Tereza Stehlíková

DOCUMENT

Barton Aerodrome: From a Work-in-Process

By Nicholas Royle

ARTICLE

Things that Quicken the Heart

By Catherine Lupton

ARTICLE

Will the Real Reality Please Stand Up?

By Sukhdev Sandhu

ARTICLE

Marco Ferreri

By Bruno Di Marino, Maurizio Grande, Enzo Ungari, Stefania Parigi

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

REVIEW

Antonioni's The Passenger

By Henry K. Miller

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Outside the Wire

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Raining Stones II: A View from Paris

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Shadows of Sergei Paradjanov

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

ARTICLE

There Are no Lions in the Scottish Highlands

ESSAY

On the Quays’ Side: The Comb (from The Museums of Sleep)

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

ESSAY

Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond

DOCUMENT

Barton Aerodrome: From a Work-in-Process

ARTICLE

Things that Quicken the Heart

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Will the Real Reality Please Stand Up?

ARTICLE

Marco Ferreri

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

REVIEW

Antonioni's The Passenger