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By Julio Garcia Espinosa

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

ARTICLE

The Dance Macabre of Tony Manero

By Lee Hill

ARTICLE

Paulo Branco: Profile

By John Mount

INTERVIEW

Darkness Visible

By Jon Davies

ARTICLE

Iraq and a Hard Place

By Tom Charity

ARTICLE

Bowling for Europe

By Holly Aylett

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

By Tereza Stehlíková

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

By Peter Fraser

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

By John Gorick

POEM

The Bric-a-brac of Memories: Reflections

By Tereza Stehlíková

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The Double Morality of Cinema

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Shadows of Sergei Paradjanov

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Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

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The Dance Macabre of Tony Manero

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Paulo Branco: Profile

INTERVIEW

Darkness Visible

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Iraq and a Hard Place

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Bowling for Europe

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Homecoming: Reflections on Moving Images that Move us to Reflection

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

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The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

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To a Dog you're the World, to your Girlfriend you're never Sure

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The Bric-a-brac of Memories: Reflections