Archives

By Chris Darke

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

INTERVIEW

Being Hal Ashby

By Lee Hill

ARTICLE

Anxious Visions

By Keith Griffiths

INTERVIEW

A Long, Hot Summer in a Small Polish Town

By Nancy Harrison

ARTICLE

From Darkness into Light: Policies for Audiovisual Development in Africa

By Rasmane Ouedraougu

POEM

The Moving Image

By Gareth Evans

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

By Ben Slater

SCRIPT

The Western Lands: Proposals towards a Film

By Grant Gee

ARTICLE

So Hot Right Now

By Ben Slater

ARTICLE

A Time of Unhuman Bodies

By Emilie Bickerton

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

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Close-Up on Béla Tarr

REVIEW

Atlas of Emotion: Journeys in Art, Architecture and Film

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Shadows of Sergei Paradjanov

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

INTERVIEW

Being Hal Ashby

ARTICLE

Anxious Visions

INTERVIEW

A Long, Hot Summer in a Small Polish Town

ARTICLE

From Darkness into Light: Policies for Audiovisual Development in Africa

POEM

The Moving Image

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

SCRIPT

The Western Lands: Proposals towards a Film

ARTICLE

So Hot Right Now

ARTICLE

A Time of Unhuman Bodies

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor