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ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir, Cathy Greenhalgh, Peter Culshaw
The Lonely Voice of Man: Films of Alexander Sokurov
ARTICLE
Rendered Invisible: the Silence of the Critics
By
Ruth Lingford
REVIEW
August
By
Michael Chanan
ESSAY
Intimate Witnesses
By
Catherine Elwes
ARTICLE
Breaking Boundaries, Expanding Horizons
By
Rumbi Katedza
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
ARTICLE
Notes on Further Investigation
By
John Bradburn
DOCUMENT
''Hopscotch'': Production
By
Ana Vianavb
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age
By
Graham Murdoch
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