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EDITORIAL
Volume 3 - Issue 4 - Editorial
By
Ben Slater
ARTICLE
Till the Cows Come Home...
By
Nick May
ARTICLE
Cold Mountains, Red Armies
By
Go Hirasawa
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
REVIEW
Andrzej Munk's The Passenger
By
David Balfour
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
INTERVIEW
Future Cinema: Pictures that Talk, Sing and Dance
By
Peter Fraser
ARTICLE
Aesthetic Ecstasy and Truth
By
John Bradburn
INTERVIEW
The More Desperate We Are, the More Hope There Is
By
Robert Chilcott
ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
ARTICLE
Dmitri Shostakovich and the Free Space of Music
By
John Riley
ARTICLE
The Atrocity Exhibition: A Director's Statement
By
Jonathan Weiss
ARTICLE
Hello Fruitfulness
By
Simon Cropper
INTERVIEW
Berlin, Spain
By
Jone Karres Azurmendi
INTERVIEW
Reverse Shot: Re-assembling the Invasion of Prague
By
David Balfour
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