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By Catherine Lupton

Close-Up on Andrei Tarkovsky

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

Relentless Melt No. 31: Abstract and Experimental Animation from Hong Kong

ARTICLE

Whither the Avant-Garde: The ICA Biennial

By Chris Petit

F for Fake

Unrest introduced by Stanley Schtinter

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Video Power

By Peter Sibley, James Hartzell, Robert Morris

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

ARTICLE

Building Bridges

By Peter Loizos

ARTICLE

Why the Documentary Cinema?

By Henri Storck

ARTICLE

London: A Metaphysical Mirror

By Adam Kossoff

ARTICLE

Ordinary Young Men

By Owen Armstrong

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Masculin Féminin

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Faith in the Audiovisible: Into Great Silence and Devotional Cinema

Close-Up on Andrei Tarkovsky

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

Relentless Melt No. 31: Abstract and Experimental Animation from Hong Kong

ARTICLE

Whither the Avant-Garde: The ICA Biennial

F for Fake

Unrest introduced by Stanley Schtinter

ARTICLE

Shadows of Sergei Paradjanov

ARTICLE

Video Power

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

ARTICLE

Building Bridges

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Why the Documentary Cinema?

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London: A Metaphysical Mirror

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Ordinary Young Men