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By Sue Clayton

Essential Cinema II

ARTICLE

In the Name of the Father

By David Pallister

Throne of Blood

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Flirt

ARTICLE

Two Views of Cannes: Cannes Do

By Sue Clayton

Notes Towards an African Orestes

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

Jacques Rancière: Philosophy and Cinema

Phased Return

ARTICLE

Black Square, White Square

By Jacquetta May

Their Last Love Affair

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

By Graeme Hobbs

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Essential Cinema X

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Dancing at the Crossroads

Essential Cinema II

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In the Name of the Father

Throne of Blood

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Why and for Whom Do We Film Today?

Flirt

ARTICLE

Two Views of Cannes: Cannes Do

Notes Towards an African Orestes

ARTICLE

Vertigo Café: Illuminating Cinematography

Jacques Rancière: Philosophy and Cinema

Phased Return

ARTICLE

Black Square, White Square

Their Last Love Affair

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent