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ARTICLE
1968: And it All Started in Vietnam
By
Philip Jones Griffiths
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
INTERVIEW
Treasures from the Archives
By
Parviz Jahed
Close-Up on Hal Hartley
Opening Night
Vampyr
Cours du Soir + Trafic
Close-Up on Jonas Mekas
Take Two: The Chess Players / Computer Chess
Take Two: But Elsewhere Is Always Better / No Home Movie
ESSAY
The Image Speaks: Miloš Forman and Free Cinema
By
Peter Hames
Close-Up on John Cassavetes
Il Cinema Ritrovato: The Shock of the Old
Essential Cinema I
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