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INTERVIEW
Second Run, First class
By
Kieron Corless
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
The Lock-In introduced by Stanley Schtinter
ARTICLE
Film Frame to Skin Cell
By
Niamh McDonnell
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
The Leopard
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
REVIEW
So, Nu?: Questioning Jewish Autobiographical Documentary
By
Sophie Mayer
From Bliss to Garden Pieces: Gregory Markopoulos and Margaret Tait
ARTICLE
Luminous Days: Notes on the New German Cinema
By
Ekkehard Knörer
ESSAY
Empires of Tin
By
Jem Cohen
Sátántangó
ARTICLE
Cultural Policy Moves Centre Stage
By
Holly Aylett
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
Jonas Mekas’s Requiem
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