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ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ARTICLE

The Fragile Relations of Ecology

By Janet Harbord

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

By Tereza Stehlíková

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

INTERVIEW

Treasures from the Archives

By Parviz Jahed

Made at CalArts: Experimental Animation, 1974 - Present

The Liberated Film Club Presents Maiko Endo

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

By Graeme Hobbs

SCRIPT

The Western Lands: Proposals towards a Film

By Grant Gee

REVIEW

Beyond the Perimeter Fence

By Gareth Evans

ARTICLE

Sundance Film Festival 2007

By Lucinda Henderson and Brian Robinson

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Related Items

ARTICLE

BFI Films: A Remit for Cultural Diversity

ARTICLE

The Fragile Relations of Ecology

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

INTERVIEW

Treasures from the Archives

Made at CalArts: Experimental Animation, 1974 - Present

The Liberated Film Club Presents Maiko Endo

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

SCRIPT

The Western Lands: Proposals towards a Film

REVIEW

Beyond the Perimeter Fence

ARTICLE

Sundance Film Festival 2007

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Shoot Shoot Shoot: Mare’s Tail

My Girlfriend's Boyfriend

Prisoner of Love: The Dead Dance (Takashi Ito after Jean Genet) introduced by Stanley Schtinter