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ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
EDITORIAL
Volume 3 - Issue 7 - Celebrating the Visionary
By
Holly Aylett and Gareth Evans
ARTICLE
The Third Mind of Christophe Honore
By
Lee Hill
ARTICLE
The Atrocity Exhibition: A Director's Statement
By
Jonathan Weiss
ARTICLE
How Do you Think it Feels
By
Lee Hill
MANIFESTO
From the People of the Colour of the Earth: The Zapatista Statement
By
Subcomandante Marcos, the EZLN
ARTICLE
Disreputable Behaviour: The Hidden Politics of the Thai Film Act
By
May Adadol Ingawanij
ARTICLE
Truth 24 Times a Second: DocLisboa 2007
By
James Norton
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
ARTICLE
Light Reading
By
Gareth Evans
ARTICLE
1968: And it All Started in Vietnam
By
Philip Jones Griffiths
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
QUESTION AND ANSWER
The Patagonian Hare
By
Libby Saxton
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