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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
REVIEW
Colourfield Cinema
By
Poppy Sebag-Montefiore
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
Making the Political Personal
By
Owen Armstrong
INTERVIEW
Science and its Signs
By
James Leahy
ARTICLE
Challenge the Blight Paper!
By
Daniel Schechter
QUESTION AND ANSWER
Bearing Witness... Tony Garnett on Cops, Community and the TV Audience
By
M.K. MacMurraugh-Kavanagh
REVIEW
Thoughts on Screen
By
Catherine Elwes
ARTICLE
In the Past, they Did Things Differently (or Did they?)
By
James Leahy
ARTICLE
Pride and Prejudice
By
Julie McNamara
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
ARTICLE
Cine Kazakhstan
By
James Norton
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
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