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ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
The Eye of Trust
By
Almendra Maria Mcbride Perez
ARTICLE
Show and Tell: A Report on The Party and the Guests
By
Michael Brooke
Pauline at the Beach
REVIEW
John Hill's British Cinema in the 1980s
By
Gill Henderson
In Focus: Mary Helena Clark 3
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
Take Two: Autumn Sonata / The Piano Teacher
Close-Up New Year's Eve: The Last Movie
ARTICLE
Adequate Imagery
By
Paul Cronin
ARTICLE
The Persistence of Vision
By
Peter Sainsbury
ARTICLE
Hush-a-Bye Baby
By
Margaret Dickinson, Anne Cottringer and Julian Petley
ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ARTICLE
New Technology: The Human V-Chip
By
Anna Karlin and Alexis Karlin
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