Archives

By Adam Kossoff

LETTER

Agony Uncle

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

REVIEW

Claiming the Real: The Documentary Film Revisited by Brian Winston

By Margaret Dickinson

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

By Chris Darke

REVIEW

Rabbit Unrest

By Joy Damousi

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

ARTICLE

Free Cinema Edgware Road

By James Norton

ARTICLE

The History of Cinema and History in Cinema

By Chris Petit

INTERVIEW

Painted Angels...

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

By Ben Slater

INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

By Gareth Evans

Related Items

Magic in Marimekko: Dick Arnall, Animate and the Manipulated Moving Image followed by Q&A

ARTICLE

Where New Dreams Are Drawn: For a Cinema of Interiority

LETTER

Agony Uncle

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

REVIEW

Claiming the Real: The Documentary Film Revisited by Brian Winston

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

REVIEW

Rabbit Unrest

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

ARTICLE

Free Cinema Edgware Road

ARTICLE

The History of Cinema and History in Cinema

INTERVIEW

Painted Angels...

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

ARTICLE

Holding Patterns and Long Tails: Benten Films and the Distribution of the Future

INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema