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Histoire(s) du cinéma
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
EDITORIAL
Volume 1 - Issue 3 - Editorial
By
Marc Karlin
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
OBITUARY
When Faces Counted Most
By
Noah Isenberg
INTERVIEW
Antonio Campos Interviewed
By
Mark Stafford
INTERVIEW
The Mind of a Commissioning Editor
By
Michael Chanan and Margaret Dickinson
ARTICLE
Marvo Man
By
William Fowler
SCRIPT
Fragments on Light and Memory
By
John Bradburn
REVIEW
Point of No Return
By
Gareth Evans
ARTICLE
Waving, Drowning or Back Crawl?
By
Janet Harbord
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
ARTICLE
Stations of Desire
By
Daniel Höpfner
REVIEW
The Book of Illusions
By
Hannah Patterson
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