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ARTICLE
Widescreen
By
Sarah Wood
ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
REVIEW
Godard as God?
By
Emilie Bickerton
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
Scenes from a Marriage
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
On Civil Defence and the Staging of Modern Politics
By
Patrick Wright
ARTICLE
Planet Film, 24 Frames at a Time
By
Nicholas Royle
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
How Do you Think it Feels
By
Lee Hill
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