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ARTICLE
Bad Cuts Are Sexy
By
Robert Hargreaves
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
POEM
High Blue
By
Tereza Stehlíkovà
REVIEW
Underground, Overground: OMSK and tank: Stories of our Times
By
Philip Ilson
ARTICLE
On Finishing Memories of a Future: The Spanish Civil War 70 Years on
By
Margaret Dickinson
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
The Critic as Censor
By
Julian Petley
INTERVIEW
Challenging the Censorship in Iran
By
Parviz Jahed
ARTICLE
Regeneration? Part II: The Lux Centre: Eastward Ho!
By
Sarah Turner
INTERVIEW
Return of the Reforgotten
By
Vertigo
Here Is Always Somewhere Else: The Disappearance of Bas Jan Ader
Opening Night
ARTICLE
The New Black
By
Karen Alexander
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
Close-Up on Robert Bresson
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