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Close-Up on David Lynch
ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
A Man Escaped
ARTICLE
Where New Dreams Are Drawn: For a Cinema of Interiority
By
Adam Kossoff
ARTICLE
New Technology: The Human V-Chip
By
Anna Karlin and Alexis Karlin
ARTICLE
Vertigo Café: Illuminating Cinematography
By
Cathy Greenhalgh
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir, Cathy Greenhalgh, Peter Culshaw
A One and a Two... The Films of Edward Yang
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
Face of Another
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