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ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
Kurt Kren: Which Way to CA?
INTERVIEW
Interview with Shadow Heritage Minister Chris Smith
By
Alan Fountain and Marc Karlin
QUESTION AND ANSWER
The Patagonian Hare
By
Libby Saxton
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
INTERVIEW
After the Garden
By
Julian Ross
ARTICLE
Future of the BFI: The BFI which Will Be 67 in the Year 2000
By
Michael Chanan and Julian Petley
Close-Up on David Lynch
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
Seeing/Hearing/Speaking: The Films of Takahiko Iimura + Live Performance
ARTICLE
The Critic as Censor
By
Julian Petley
[+] Film Collective: Experimental Films by Makino Takashi & Rei Hayama
ARTICLE
Vertigo Café: Jon Jost and ‘Dokumenta’
By
WR and MD
Suriname, Saarland and Surabaya: 3 Films by Karel Doing
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