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Mirror
Close-Up on Orson Welles
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
Anticipation and Memory: The Films of Larry Gottheim
Benny’s Video
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
Walerian Borowczyk: Obscure Pleasures
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
Amateur
ARTICLE
Vertigo Café: Illuminating Cinematography
By
Cathy Greenhalgh
Notes Towards an African Orestes
REVIEW
Gallivant II
By
Margaret Dickinson
Jacques Rancière: Philosophy and Cinema
ARTICLE
Subtitled and Silent Films
By
Dora Stewart
Agnès Varda: Gleaning Truths
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