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ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
INTERVIEW
Being Hal Ashby
By
Lee Hill
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Film Frame to Skin Cell
By
Niamh McDonnell
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
Image Picture Frame
By
Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel
ARTICLE
Factual Format or Documentary?
By
Edward Milner
REVIEW
A Cut Above
By
Catherine Elwes
Adjunct Dislocations
ARTICLE
In Search of a Secret History
By
Lee Hill
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
William Kentridge at The Serpentine
By
Ruth Lingford
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