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Take Two: Hiroshima Mon Amour / Amour
Happy End
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Matthias Müller Early Film Works with Dirk Schaefer in conversation
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
INTERVIEW
Raúl Ruiz: Hypothesis and Enigma
By
George Clark
INTERVIEW
The More Desperate We Are, the More Hope There Is
By
Robert Chilcott
Take Two: Eyes Without a Face / Remake
Hidden
Ma l’amore mio non muore!
Sex, Politics, Art and Revolution: French Cinema in 1968
Happy End
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
REVIEW
Beyond the Clean and Proper
By
Kimberley Cooper
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