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Close-Up on Robert Bresson
Take Two: Hiroshima Mon Amour / Amour
Happy End
Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
A Very Public Situationist
By
Lee Hill
ARTICLE
Skin Deep
By
Lee Hill
INTERVIEW
The More Desperate We Are, the More Hope There Is
By
Robert Chilcott
Take Two: Eyes Without a Face / Remake
Hidden
Ma l’amore mio non muore!
Sex, Politics, Art and Revolution: French Cinema in 1968
Happy End
INTERVIEW
Searching for the Heart of Memory
By
Nancy Harrison
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
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