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ARTICLE
Asian Films in Britain
By
Maarit Khan
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
Making the Political Personal
By
Owen Armstrong
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
DOCUMENT
Affirmative Actions: Sally Potter on Yes
By
Sally Potter
|
John Berger
ESSAY
In Dreams Begin Responsibilities
By
Gareth Evans
ARTICLE
These Isles are Alive with the Buzz of D1g1ts
By
Brian Winston
ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Red Army Fictions
By
Kieron Corless
REVIEW
Telling it Like it (Actually) Is
By
Gabriel Carlyle
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
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