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By Elena Gorfinkel

Ascent

What Rules the Invisible

John Smith: Introspective Programme 9 (2012-21)

Content Anxiety: Programme One

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

MANIFESTO

Kino Korrespondence

By Ken McMullen

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

DOCUMENT

Affirmative Actions: Sally Potter on Yes

By Sally Potter | John Berger

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

By Stephen Barber

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

By Tereza Stehlíková

ARTICLE

Extremes of Independence

By Tetsuaki Matsue

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Kira Muratova’s Searing World

Ascent

What Rules the Invisible

John Smith: Introspective Programme 9 (2012-21)

Content Anxiety: Programme One

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

MANIFESTO

Kino Korrespondence

ARTICLE

Transitions: Cinema and Video Art from Georgia

REVIEW

Pasolini and Sade: A Maleficent Obsession

DOCUMENT

Affirmative Actions: Sally Potter on Yes

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

ARTICLE

Extremes of Independence