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ARTICLE

From Tangiers to Tehran: Cinema, Women and the Middle East

By James Neil

ARTICLE

Roots and Shoots

By Jerry White

MANIFESTO

The Cambridge Document

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

By Michael Chanan and Julian Petley

Kurt Kren: Which Way to CA?

ARTICLE

New Technology: Virtually Free

By Brian Winston and Paul Walton

Michael Robinson: Light Is Waiting

REVIEW

Gallivant II

By Margaret Dickinson

DIARY

I’m too sad to tell you about I’m Too Sad to Tell You

By Juliet Jacques

Close-Up on Robert Bresson

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

By Iain Sinclair

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ARTICLE

From Tangiers to Tehran: Cinema, Women and the Middle East

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Roots and Shoots

MANIFESTO

The Cambridge Document

ARTICLE

Why and for Whom Do We Film Today?

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

Kurt Kren: Which Way to CA?

ARTICLE

New Technology: Virtually Free

Michael Robinson: Light Is Waiting

REVIEW

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I’m too sad to tell you about I’m Too Sad to Tell You

Close-Up on Robert Bresson

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

Close-Up on Masters of Polish Cinema

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