Archives

INTERVIEW

The London Film School at 50

By Robert Chilcott

REVIEW

Antonioni's The Passenger

By Henry K. Miller

ARTICLE

Notes on Further Investigation

By John Bradburn

ARTICLE

Doomed L’Amour de la Mer

By Robert Chilcott

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

INTERVIEW

Without a Mask: Liv Ullmann in Conversation

By Jone Karres Azurmendi

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

By Joanne Barkan

INTERVIEW

The History that Keeps Coming Back

By Antoine de Baecque

INTERVIEW

One to One: Jean-Luc Godard Speaks

By Mike Dibb

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

INTERVIEW

Second Run, First class

By Kieron Corless

ARTICLE

Screen Academy Scotland

By Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies

Related Items

INTERVIEW

The London Film School at 50

REVIEW

Antonioni's The Passenger

ARTICLE

Notes on Further Investigation

ARTICLE

Doomed L’Amour de la Mer

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

INTERVIEW

Without a Mask: Liv Ullmann in Conversation

INTERVIEW

From the Beats to the Beastly

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

INTERVIEW

The History that Keeps Coming Back

INTERVIEW

One to One: Jean-Luc Godard Speaks

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

INTERVIEW

Second Run, First class

ARTICLE

Screen Academy Scotland

DOCUMENT

Three of the Greatest Tasks for Film

ESSAY

For a Reconsideration of Soft and Hard