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REVIEW
Telling it Like it (Actually) Is
By
Gabriel Carlyle
MANIFESTO
Vision Machine: a Web of Stories, Networked Solidarities
ARTICLE
Sandino Vive
By
Hermione Harris
ARTICLE
Bowling for Europe
By
Holly Aylett
ESSAY
Going home... Nick Ray revisited
By
James Leahy
ARTICLE
Capturing the Elephant
By
Asu Aksoy
INTERVIEW
Lost Landscapes, Found Paintings
By
Ian Haydn Smith
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
ARTICLE
Squaring the Circle
By
Emilie Bickerton
ARTICLE
Marco Ferreri
By
Bruno Di Marino, Maurizio Grande, Enzo Ungari, Stefania Parigi
ARTICLE
Peak Experience
By
Graham Coleman
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Angles of Projection, Exhibition and Symposium
By
Adam Kossoff
ARTICLE
Intimate Distance: On Moving Images in Live Performance
By
Jack McNamara
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