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ARTICLE
Crossing the Borderline
By
Sophie Mayer
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
What Was GATT About?
By
Michael Chanan
REVIEW
Magnum Cinema
By
James Leahy
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
The Critic as Censor
By
Julian Petley
ARTICLE
Vertigo Café: Jon Jost and ‘Dokumenta’
By
WR and MD
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
INTERVIEW
Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World
By
Robert Chilcott
ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
INTERVIEW
Hidden Treasure: Harmony Korine on Gummo
By
Chris Darke
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
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