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INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

Sex, Politics, Art and Revolution: French Cinema in 1968

The Films of Danièle Huillet and Jean-Marie Straub

Every Man for Himself

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

By Dai Vaughan

DOCUMENT

For Tomorrow’s Witness

By The filmmakers of Lebanon | Israel

The Diary of a Country Priest

Le bonheur

A Woman Is a Woman

ARTICLE

Shadows of Sergei Paradjanov

By James Norton

ARTICLE

Skin Deep

By Lee Hill

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

By David Balfour

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Related Items

INTERVIEW

At Least I Will Know My Face

Sex, Politics, Art and Revolution: French Cinema in 1968

The Films of Danièle Huillet and Jean-Marie Straub

Every Man for Himself

ARTICLE

All my Eye and Aristotle: Editing European Films

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

DOCUMENT

For Tomorrow’s Witness

The Diary of a Country Priest

Le bonheur

A Woman Is a Woman

ARTICLE

Shadows of Sergei Paradjanov

ARTICLE

Skin Deep

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Sarah Pucill: Confessions to the Mirror / Magic Mirror