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ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Angles of Projection, Exhibition and Symposium
By
Adam Kossoff
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Enter technology | Enter art | Enter perspective
By
Amanda Egbe
ARTICLE
Final Residues of the Image: On Marcus Reichert
By
Stephen Barber
ARTICLE
Wholly Attending: Notes on the Lessons of Black Sun
By
Gareth Evans
ARTICLE
War Games
By
Owen Armstrong
ESSAY
The Last Words of Antonin Artaud
By
Stephen Barber
ARTICLE
Do Impossible Things: 1968 and its Legacies
By
Sukhdev Sandhu
ARTICLE
Living the Tale of Tales
By
Tereza Stehlíková
DIARY
Fort William: Remote Digital Enlightenment
By
Norrie Maclaren
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
QUESTION AND ANSWER
Remake
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