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BIOGRAPHY
An Introduction to Chantal Akerman
By
Vivian Ostrovsky
ARTICLE
Long Live Lulu
By
James DC
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
REVIEW
The Main Course
By
the Celluloid Liberation Front
ARTICLE
The State of Independence
By
Andrea Corbett
Edge of Frame: Surface Memory
ARTICLE
Planet Film, 24 Frames at a Time
By
Nicholas Royle
Essential Cinema
Never on Sunday
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
Grandma’s Grammar: Memory’s Hands
ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
ESSAY
''See You at Mass, Johnny''
By
Iain Sinclair
ARTICLE
Again For Tomorrow at the Royal College of Art
By
George Clark
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