Archives

DOCUMENT

Cannes Film Festival

By Kieron Corless

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

'16': 16 Films | 16 Filmmakers | 16mm

Last Year in Marienbad

REVIEW

Paradoxes of Peace or the Presence of Infinity

By Nicholas Mosley

INTERVIEW

Television On: Interactivity and the Future of the Image

By Nick Haeffner and Chris Lane

INTERVIEW

Binka: To Tell a Story About Silence

By Sean Kaye-Smith

L'eclisse

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

By Joanne Barkan

Related Items

DOCUMENT

Cannes Film Festival

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

'16': 16 Films | 16 Filmmakers | 16mm

Last Year in Marienbad

REVIEW

Paradoxes of Peace or the Presence of Infinity

INTERVIEW

Television On: Interactivity and the Future of the Image

INTERVIEW

Binka: To Tell a Story About Silence

L'eclisse

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

Sex, Politics, Art and Revolution: French Cinema in 1968

Stereo Spasms Festival: Celebrating Luc Ferrari at 90

Plein Soleil

Open City Documentary Festival: The Art of Non-Fiction