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ARTICLE
Extremes of Independence
By
Tetsuaki Matsue
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
Grim Reaper & the Holy Fool
By
Rosy Rockets
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
ARTICLE
A Filmosophy of the Dardennes
By
Daniel Frampton
REVIEW
Viva Mexico!
By
David Jenkins
INTERVIEW
Without a Mask: Liv Ullmann in Conversation
By
Jone Karres Azurmendi
INTERVIEW
Of Time and the City
By
John Bradburn
ARTICLE
A Desperate Utopian Dream - Pedro Costa: an Introduction
By
Mark Peranson
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
''What you get is exactly what you see'': Denis Lenoir, Director of Photography
By
Jean-Michel Frodon
ARTICLE
The Vanishing Map
By
Stephen Barber
ARTICLE
Luminous Days: Notes on the New German Cinema
By
Ekkehard Knörer
ARTICLE
King Lear
By
James Norton
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